Table Of Content
- Apparently Trash Movies That People Swear They Actually Enjoy
- James Van Der Beek
- With the Departure of Its CEO, Sundance Now Must Chart a New Course
- These are the California cities where $150,000 still buys you a home. Could you live here?
- Will a post-strike Sundance see a deal surge? What insiders are saying about the indie film market
- The Time Machine (
It’s an excruciating styling session (administered by Laverne Cox), and the pin-straight weave turns out to be a killer. At the sight of blood, whether from a juicy hamburger or Anna’s period, her new hair demonically extends, reaching out its tendrils to soak up nourishment, as its bloodthirsty impulses begin to possess Anna. Simien loads up on too many underused secondary characters, like pop star Sandra, played by Kelly Rowland, whose chief purpose seems to be starring in a music video in which she goes full Paula Abdul with the dance moves. (Simien wrote the period-pastiche songs.) As Sandra’s boyfriend, Usher has even less to do.
Apparently Trash Movies That People Swear They Actually Enjoy
Many years later, in 1989, an adult Anna is an assistant at Culture, a television station featuring African-American music artists. Aspiring to move up in the industry, she is devastated when her mentor, Edna, the current head of programming, is ousted by the station's owner, Grant Madison, and replaced with former supermodel Zora. Anna suggests her idea to expand the station's reach by diversifying the Culture VJs' style and showcase a live music video countdown show.
James Van Der Beek
But there are even more personal parts of his story he made sure to include in “Bad Hair,” a film dedicated to his mother, Anna, and her sisters Virgie, Edna and Zora, women he credits with raising him and supporting his artistic dreams, whom he named pivotal characters after. Now “Bad Hair,” about a woman battling her own killer weave and other insidious forces, is opening the Sundance Film Festival, where “Get Out” debuted on its way to a $255-million global box office and a screenplay Oscar. Anna's new hair helps her succeed, getting her noticed by an old work flame, Julius. Despite the VJs' reluctance to change to a more commercial appearance, Anna convinces them to sport the new weaves. However, she begins to notice strange phenomena, such as the hair moving on its own, intense hunger pangs, and dreams of hair being cut on a plantation.
With the Departure of Its CEO, Sundance Now Must Chart a New Course
It was released in a limited release on October 16, 2020, by Neon, followed by digital streaming on Hulu on October 23, 2020. "I like the live action version of Beauty and the Beast. Not as much as the OG, but it was a good movie." "Peak Val Kilmer and Chris O’Donnell, Jim Carrey turning it up to 11, Tommy Lee Jones acting unhinged, and an awesome soundtrack! I have NO shame in how much I love that movie." "20% on Rotten Tomatoes, but I still like it! Good character all around, good Special Effects (for that time), the underlying humour. Kind of a different part for Reno, usually plays an intense character as in The Professional and Ronin."
‘Bad Hair’: Film Review - Variety
‘Bad Hair’: Film Review.
Posted: Fri, 24 Jan 2020 08:00:00 GMT [source]
This excess of characters worked for “Dear White People,” the director’s prior effort, because it took place on a college campus and had an episodic “day in the life” approach rather than a straightforward narrative. “Bad Hair” gives us underutilized characters like Anna’s co-worker Brook-Lynne (Lena Waithe) and Anna’s sister, Linda (Chanté Adams). Linda is potentially fascinating because she knows about the African folk tale that may have something to do with the modus operandi of Anna’s weave. The scenes with Anna’s family feel off-kilter when they should be essential to the story. We should be more concerned with the myth-making elements of the book of folklore Linda cites, rather than her relatives shaming Anna’s professional choices.
When Anna pours water on the hair, it washes out the blood that keeps the witches’ blood pumping, so to speak. Interestingly enough though, Bad Hair doesn’t fix the weave problem going around town. Anna saves herself and is seen wearing a headscarf at the end of the film, but the people around her are still going for the trend. Anna is still fixated on her experience (duh, it was traumatic as hell) and reading The Moss Haired Girl once again she relocates from her apartment to living at Linda’s. The tree found on the book can be seen as a logo on a truck that journeys to the moss tree itself. The tree from legend is being harvested for its hair by workers instructed by James Van Der Beek’s Grant Madison.
These are the California cities where $150,000 still buys you a home. Could you live here?
In 1989 an ambitious young woman gets a weave in order to succeed in the image-obsessed world of music television. However, her flourishing career may come at a great cost when she realizes ... Read allIn 1989 an ambitious young woman gets a weave in order to succeed in the image-obsessed world of music television.
'Bad Hair' Film Review: Justin Simien Puts Thoughtful Twists in a Creepy Horror Movie - TheWrap
'Bad Hair' Film Review: Justin Simien Puts Thoughtful Twists in a Creepy Horror Movie.
Posted: Fri, 24 Jan 2020 08:00:00 GMT [source]
As explained in the text of The Moss Haired Girl, the witches take turns in the heads of their hosts. Since her hairdo is straight up evil, Anna attempts to go to another hair salon to get the weave taken out, but it ends up wreaking havoc there too. This leads to a final confrontation with Zora’s weave (Vanessa Williams) at her office, which is in control and in full force of her boss.
The Time Machine (
As she moves back into her uncle and aunt's home, Anna learns the hair product is made with pig's blood, intended to help feed the hair. She sees new advertisements for Culture featuring Zora, who survived and is now fully possessed by the witches' hair. She finishes reading the story of the Moss Haired Girl, which tells of the plantation master's descendants continuing to farm the hair, knowing of its controlling abilities.
The anachronistic period styling frequently distracts and suggests the limits of Simien’s budget. Costumes look like the dowdy dregs of vintage stores, and the sets seem inconsistently modeled, sometimes recalling the 1970s and at other times the 2010s. Even so, this low-budget aesthetic works for the goofy B-movie quality of the horror scenes, which rely on practical effects to inspire squirms. Mixing body horror with monster movie tropes, Simien shows needles digging into scalps and endless strands of hair creeping out of place. Avoiding jump scares, he creates thrills by pushing familiar physical sensations — like sitting for braids while tender-headed — to their extremes. At the urging of her new boss, Zora (Vanessa Williams), Anna gets her first sew-in weave.
"It is often panned as one of the worst Marvel movies, but I think it's one of the best. The CGI is inferior to later movies, a combination of a lower budget and later improvements in the technology, but the storyline is much better than most." Bad Hair has a lot to say and while with convoluted ideas and controversial execution, it does introduce some intriguing lore and may get one thinking about the topics at hand. Following Bad Hair, check out what movies and TV shows are coming to Hulu in November and the scary movies are coming out through to 2021. Black women are the source for so much culture, from language to fashion to music, but are never allowed along for the ride... The thrill of making “Bad Hair” across Los Angeles, filming with cinematographer Topher Osborn and working with puppeteers on in-camera effects fed his inner cinephile, Simien said. And even with an outrageous premise that feels ripe for broad comedy, the approach helped keep the film’s tone down to earth.
“It felt like with black hair in particular it was such an American story,” said Simien, whose “Bad Hair” opens the Sundance Film Festival’s Midnight section on Thursday night with an original blend of corporate intrigue, new jack swing-era bops and hair, so much hair. With the arrival of Zack Snyder's latest Rebel Moon chapter on Netflix, we rank every one of the director's films—from bad to, well, less bad—by Metascore. All this is frequently amusing, though far too protracted as setup, and at close to two hours, the movie feels severely stretched.
Shortly after his death, Anna snaps out of her trance and connects her experiences to the Moss Haired Girl from a story she had started reading prior – we’ll get to that more in detail in a moment. ” asks Virgie, leaning on the word so hard that my now-bald kitchen had sense memories of my mother’s comb yanking itself through my hair. It’s ridiculously over the top, with a memorably sinister Cox and a suffering Lorraine cementing the scene's effectiveness. All the subsequent attacks by the monster are pitched at this level as well, which adds to the fun. "The one with Jessica Alba and Chris Evans. I love it, I think it captured the essence of those characters perfectly, it’s funny, good action, good story and good characters." "I never understood why it got so much hate. However I never watched the animated series so perhaps I am missing something. I personally enjoy watching this movie."
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